Thursday, June 28, 2012

Painted Chairs

I finally found some painted chairs and I picked them up at a bargain price.


They will, of course, need to be restored. They had been re-painted, probably in the 1950s or 60s. The newer paint is peeling, showing the original paint underneath. One of them is in terrible shape with the back loose and a piece broken off. I will probably restore that one first. I can't wait to see what the original decorations were.

Monday, June 25, 2012

A BRICK PINCUSHION

 "These pincushions are extremely useful when it is necessary to pin down your work to keep it steady; for instance, in quilling ruffles, covering cord, sewing long seams, hemming or tucking. Being so heavy that they can only be lifted with both hands, they sit firmly on the table, and cannot be overset by accident. Screw pincushions, it is true, answer the same purpose; but it is difficult to fasten them to a circular table, or any table that has not a very projecting edge; and the screws frequently wear so smooth as to become useless. A brick pincushion, when once made, will last to an indefinite period (occasionally renewing the cover), and can be used on any table, in a window ledge, or even on a chair or stool. In a chamber, they can be employed on the toilet like any other pincushion.

Get a clean new brick of a perfect shape, and cut out a piece of coarse linen or strong domestic cotton, of sufficient size to cover it; allowing enough to turn in. Lay the brick in the middle of the linen, which must then be folded in at the corners and sewed tightly with coarse thread all over the brick; making the covering as smooth and even as possible. Then cut out a bag of coarse linen, and fit it to the top of the brick, allowing it, however, about two inches larger each way; or more, if you intend it to rise very high in the middle. Stuff the bag with bran, till you get it as firm and hard as possible. It will require at least two quarts of bran, perhaps more. While doing this, you had better have the whole apparatus on a large waiter to catch what falls. Put in the bran with a spoon, and press it down hard with your fingers. When the bag is completely stuffed, and cannot possibly hold any more, sew up the open end. Fit the bag evenly all round to the top of the brick, and sew it fast to the linen cover; taking care to have it of a good shape, sloping down gradually on all sides from the middle.

Sew a piece of thick baize cloth to the linen on the bottom of the brick, and then put on the last cover of the whole pincushion. This outside cover may be of velvet, silk, or cloth. Fold it under at the corners very neatly, and sew it all round to meet the baize at the bottom. Then cover the seam with a binding of narrow ribbon or galloon. If you choose, you can make the cover for the top (or stuffed part of the pincushion) of a separate piece of silk, always taking care to cover the seam with a binding.

A small pincushion may be made in the same manner, only using for the foundation a little flat block of wood, instead of a brick."

From  The American Girl's Book 1831

~ ~ ~ ~ ~ ~ ~ ~ ~ ~

The first step is to find a nice brick and cover it with fabric. I used common utility muslin and wrapped it like a gift. Then stitched it firmly closed.


Then make a pillow and stitch it firmly down. The above directions say to fill it with bran but I used cotton.



The next step is to attach a piece of "thick baize cloth", which is the felt material used on modern pool tables, to the bottom. I don't have any on had so I skipped this step.

 I then used wool to cover the sides and silk to cover the top. I figured that a two piece cover would be easier to attach and the silk can more easily be replaced.


The final step is to cover the raw edges with silk ribbon and we have ourselves a pretty little sewing brick. :)


I left in some pins around the blue silk, thinking that it made a cute decoration.

I would love to see your finished sewing brick. Comment with a link!

Friday, June 15, 2012

LACI Collection - Toddler Gowns

I was blessed with the opportunity to look at, handle (with gloved hands of course), and photograph some textiles from the LACI (http://www.littleantietam.org/) collection today. With their permission, I will share some of these great items with you.

Starting off, here is my favorite....




I would guess, by the construction and style, that this dress dates to the 1860-1870s.

Most of the stitches are by hand. I was able to find machine stitching at the waistline. The tucks are hand stitched but I think the other insertion was machine made.

One of the things that I found most interesting was the lack of fasteners. The only sign, that I could find, were pin holes. As though pins held the dress closed at the back.

Here is another toddler dress....



This one is a more modern dress dating no earlier than the late 1880s. However, it was so beautiful that I had to take some pictures of it. The entire dress was done by machine.

Check back as I will be posting more over the next few days/weeks.

Friday, June 8, 2012

Bobbin Lace

Woman using a bolster bobbin lace pillow. For more images of bobbin lace go here: http://gwydir.demon.co.uk/jo/lace/ref.htm

From Chambers's Encyclopaedia 1864
"The second class is Pillow lace, sometimes called Cushion or Bobbin lace, from the pillow or cushion being used to work the pattern upon, and the various threads of which the figures are made up, each being wound upon a bobbin, usually of an ornamental character, to distinguish one from the other. The pattern on parchment or paper, being attached to the pillow or cushion, pins are stuck in at regular intervals in the lines of the pattern, and the threads of the bobbins are twisted or plaited round them so as to form the net work arrangement which is characteristic of this class of lace (figs 3 and 4), the patterns, or figured portions, being worked out by a crossing of threads, which, although actually plaiting, gives the effect of weaving, as in fig 5. The varieties of this lace are - Spanish, Grounded Spanish, Saxony Brussels, Flemish Brussels, Mechlin, Valenciennes, Dutch, Lisle, Chantilly, Silk and Cotton Blonde, Limerick, Buckinghamshire, and Honiton. The last has of late years become the most beautiful of all the varieties made in Great Britain. The Irish or Limerick lace has also taken a high position."

 

Beautiful Rocker

I found this beautiful rocker today. I didn't pick it up and I have a feeling that I will be kicking myself for that.



It is similar to chairs by E. W. Vaill Chair Co. of Worcester Mass as well as George Hunzinger of New York City. Both were notable Victorian furniture makers.


Shopping Day

Being a very beautiful day, it seemed like a good idea to go shopping this morning. There were plenty of yard sales that seemed promising and they turned out to be better than I had hoped.

Here are the things that I was able to pick up that are relevant to this blog:

One of the very first stops we made really made the entire day. I saw this chair sitting at the curb with a free sign on it. When I picked it up the side leg brace fell off, making it look like a piece of junk to everyone. Everyone but me. This cute Windsor chair will hold a prominent place in my collection once it is restored.... and it really doesn't need much.




Bow Back Windsor Chair with Tail Brace

Then I was able to pick up a nice set of copper pots with lids. The girl said that they were new and had never been used. I am guessing that they were a wedding gift that she really hadn't wanted. She had an entire table of copper molds and decorations but I just grabbed the pots.



In the end I still didn't have the chair "fix" that I had been looking for so we headed over to some antique shops in the next town. They had some really great chairs but not "the" chair or set that I want. I was able, however, to pick up this great chair for little bit of nothing. My youngest daughter spotted it, so I will give her all of the credit.



Saturday, June 2, 2012

Collars

Here is a small collection of ideas for collars from fashion magazines of the day.

From The Ladies' Companion 1860

Collar in Broderie A La Minute

 Materials - Fine Jaconet Muslin, and the Perfectionne Embroidery Cotton No 26 of Messrs. Walter Evans and Co of Derby
"This pretty style of work loses nothing of its vogue, and is, indeed employed extensively for collars and cuffs for morning wear. These collars are always of double muslin, being run together, turned over, and the line of the hem stitched neatly.
The section given of the collar will suffice for the cuff [p 96] also, which should be made only just large enough to fit round the wrist."


COLLAR IN FRIVOLITE

 Materials - Boar's Head Crochet Cotton No 16, or Tatting Cotton No 1 of Messrs Walter Evans and Co of Derby


From Arthur's Home Magazine 1859



Here is an old style of collar from The Lady's Companion 1852:
Here are the directions. Interestingly, this is tatting, called Frivolite at the time.